Archive for July, 2010

A write-up of the second Archival Education Research Institute which I attended at  from 21st to 25th June.

The scheduled programme (or program, I suppose!) was a mixture of plenary sessions on the subject of interdisciplinarity in archival research, methods and mentoring workshops, curriculum discussion sessions, and research papers given by both doctoral students and faculty members.  We also experienced two fascinating and engaging, if slightly US-centric, theatrical performances by the University of Michigan’s Center for Research on Learning Theatre Program (ok, now I’m confused – why would it be ‘center’ but not ‘theater’?).

Most valuable to me personally were the methods workshops on Information Retrieval and User Studies.  IR research is largely new to me, although I was aware that current development work at The National Archives [TNA] includes a research strand being carried out at the University of Sheffield’s Information Studies Department which uses IR techniques to investigate information-seeking behaviour across TNA’s web domain and catalogue knowledge base.  I was interested to see whether these methods could be adapted for my research interests in user participation.  User Studies turned out to be more familiar territory, not least because of many years’ responsibility coordinating and analysing the Public Services Quality Group[PSQG] Survey of Visitors to UK Archives across the West Yorkshire Archive Service‘s five offices.  I hadn’t previously appreciated that the PSQG survey is unique in the archival world in providing over a decade’s worth of longitudinal data on UK archive users (despite what it says on the NCA website, the survey was first run in 1998), and it seems a shame that only occasional annual reports of the survey results have been formally published.

Of the paper sessions, I was particularly interested in several examples of participatory archive projects.  The examples given in the Digital Cultural Communities session – in particular Donghee Sinn’s outline of the No Gun Ri massacre digital archives and Vivian Wong’s film-making work with the Chinese American community in Los Angeles, together with Michelle Caswell’s description of the Cambodian Human Rights Tribunal in the session on Renegotiating Principles and Practice – reinforced my earlier conviction that past trauma or marginalisation may help to promote user-archives collaboration, and provide greater resilience against (or perhaps more sophisticated mechanisms for resolving) controversy.  However, Sue McKemmish and Shannon Faulkhead, in their presentations about another previously persecuted grouping, Australian Aboriginal natives (the Koorie and Gundjitmara communities specifically), gave me hope that the participatory attitudes of the Indigenous communities are just an early precursor to a much wider social movement which puts a high value upon co-creation and co-responsibility for records and record-keeping.  [Incidentally, if you have access, I see that Sue and Shannon’s Monash colleague Livia Iacovino has just published an article in Archival Science entitled Rethinking archival, ethical and legal frameworks for records of Indigenous Australian communities: a participant relationship model of rights and responsibilities, which looks highly pertinent – it’s currently in the ‘online first’ section]  I was also interested in Shannon’s comments about developing a framework to incorporate or authenticate traditional oral knowledge as an integral part of the overall community ‘archive’ (I’m not quite sure I’ve got this quite right, and would like to chat to her further about it).  William Uricchio has remarked of contemporary digital networks that “Decentralized, networked, collaborative, accretive, ephemeral and dynamic… these developments and others like them bear a closer resemblance to oral cultures than to the more stable regimes of print (writing and the printing press) and the trace (photography, film, recorded sound)”¹.  What can we learn from oral culture to inform our development of participatory practice in the digital domain?

Carlos Ovalle gave a useful paper on Copyright Challenges with Public Access to Digital Materials in Cultural Institutions in the Challenges/Problems in Use, Re-use, and Sharing session, which was interesting in the light of the UK Digital Economy Act and recent amendments to UK Copyright legislation, and some of my own current concerns about digitisation practices and business models in UK archives.

I cannot say I particularly enjoyed the plenary sessions and ensuing discussions.  I found the whole dispute about whether archival ‘science’ could, or should, be considered inter-disciplinary or multi-disciplinary, and which disciplines are core or which are peripheral, somewhat sterile and frankly rather futile.  Some of the arguments seemed to stand as witness to a kind of professional identity crisis, undermining any claim that archival research might have to a wider relevance in the modern world.  I was particularly surprised at how controversial ‘collaboration’ seemed to be in a US research context – a striking contrast I felt to the pervasive ‘partnership’ ethos that is accepted best practice in fields with which I am familiar in the UK.  Not just, I think, because I worked for what is in many ways a pioneering partnership of local authorities at West Yorkshire Joint Services; the current government policy on archives, Archives for the 21st Century similarly emphasises the benefits and indeed necessity (in the current economic climate) of partnership working in a specific archives context.

Sadly, there doesn’t seem to have been much blogging about AERI, but you can read one of the Australian participant’s Lessons from AERI Part I (is there a part II coming soon, Leisa?!).  I’ll link to any further blog posts I notice in the comments.

Finally, nothing to do with AERI, but I’ve finally got round to registering this blog with technorati and need to include the claim code in a post, so here goes: CF2RCBCUPWQC.

¹Uricchio, W. ‘Moving Beyond the Artifact: Lessons from Participatory Culture’ in Preserving the Digital Heritage Netherlands National Commission for UNESCO, 2007.  <http://www.knaw.nl/ecpa/publ/pdf/2735.pdf>

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